The Finisterra Trio revisits work premiered & recorded for Naxos Records — Daron Hagen

Seattle-area residents enjoy the First Sundays Concerts series hosted on Bainbridge Island across the bay. On Sunday, September 10, the renowned Finisterra Trio shares Daron Hagen‘s Piano Trio No. 3: Wayfaring Stranger which was originally commissioned and recorded by the ensemble.

Click on the CD cover to purchase the CD at amazon. Also available at i-Tunes and all other online retailers.Daron Hagen explores his introduction and relationship with the American folk spiritual Wayfaring Stranger, which serves as the foundation for this trio.

“I confess that, in June of 1997, when my brother Britt asked me to compose a set of variations on his favorite Mormon hymn, Poor Wayfaring Stranger, I had never heard it, and didn’t care for the tune. I crafted four rather uninspired variants on it for violin and piano, sent it along to him with my love, and forgot about it. One of our final telephone conversations concerned itself in part with his account of how the little piece had gone over at his church that Sunday; he died a few days later.

Nine years later, near dusk one late afternoon in June of 2006, as my wife and I drove through the Virginia countryside on our way to the Virginia Center for the Creative Arts, we were suddenly gripped by the words and melody of a spiritual playing on the radio. Moreover, we realized at that moment that we had for some time been driving through hallowed ground; the First Battle of Manassas, or Bull Run — the first major battle of the American civil war — had taken place in the surrounding meadows in July of 1861. The hymn on the radio was Wayfaring Stranger. I knew then that I would return to the hymn and try to do justice not just to my brother’s memory but to the wonderful folk melody that he so loved.

The result was a return to the piano trio form after an interval of twenty years. It begins with a Mazurka in seven; marked ‘gracious, pleasant, charming,’ the customary triple meter pulse is divided into combinations of two and three beats. Wayfaring Stranger gives the folk tune, and follows it with three variations. Next follows a tricky Fandango, my take on an ancient Spanish dance in triple meter, probably of Moorish origin, that came into Europe in the 17th century. At the end of certain measures, the music halts abruptly and the dancers remain rigid until it is resumed. An Aubade, a poem or song of or about lovers separating at dawn, follows; it acts as an introduction to the finale, a set of eight more Variations on Wayfaring Stranger.”

Source: Piano Trio No. 3: Wayfaring Stranger — Daron Hagen

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